The frequency and intensity of stereotypes of nurses as sex objects rose significantly during the s and s p less than. The extremely negative sexual stereotype of nursing promulgated during the past 20 years is cause for concern. Up close and personal: The nurse as a sex object in motion pictures, to
Gender aesthetics in "male" genres. Seventy-three percent of the nurse roles characterized nurses as sex objects. Exploitation of the nurse as a sex object was more common in the larger nurse roles. Postfeminism and generic re-inventions. Bodies and genres in transition: Refiguring genre and gender. The frequency and intensity of stereotypes of nurses as sex objects rose significantly during the s and s p less than. Private femininity, public femininity: It was concluded that the image of the nurse as a professional care giver was incompatible with that of the nurse as sex object, and that the motion picture industry has opted primarily to present the latter image. This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. The nurse as a sex object in motion pictures, to A content analysis of motion pictures featuring nurses as significant characters was conducted to determine the nature and extent of the motion picture industry's depiction of the nurse as a sex object and to identify changes in that portrayal from to Gender hyperbole and the uncanny in the horror film: It's a Mann's world? However, in films with a strong emphasis on professional nursing in either the story or in character development, sexual stereotyping of nurses was uncommon. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. Up close and personal: Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Genre and gender transnational. They consequently rethink the gendering of genres, filmmakers, and their audiences. The extremely negative sexual stereotype of nursing promulgated during the past 20 years is cause for concern. Actions that the nursing profession can employ to counter the unfavorable portrayal of nurses in s motion pictures are suggested. Woman, generic aesthetics, and the vernacular: Emotion, subjectivity, and the limits of desire:
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