Harrison Saragossi Three hours of walking, to be precise, including two carefully designed encores to get the most out of the audience, the noise limits around the Cauldron, and the behemoth set. Personally I wished Bon Jovi had ended it there: As an aside, I really believe that somewhere along the line JBJ treated himself to new teeth.
Harrison Saragossi Three hours of walking, to be precise, including two carefully designed encores to get the most out of the audience, the noise limits around the Cauldron, and the behemoth set. Soft rain was falling over Suncorp Stadium at this point, but that was no distraction for either the band or the fans. Personally I wished Bon Jovi had ended it there: As an aside, I really believe that somewhere along the line JBJ treated himself to new teeth. Then, the piece de resistance - Always. Bon Jovi rocked Suncorp Stadium for three hours on Tuesday night. For are we not all, on the path of life, halfway there? It was the defining love ballad of the mid s, and I can guarantee you every woman in that stadium was singing along word for word. The first encore was a hit parade: The band took their bows and left the stage, but oh no. But even it was almost dwarfed by the commanding presence of Jon Bon Jovi, resplendent in a denim jacket highlighted with the American flag, who seemed more than just charismatic frontman. If Bon Jovi doing the Stones makes chills go up your spine, imagine what the real thing will do next year. There was more to come in the shape of a second encore, kicking off with These Days. Fill in guitarist Phil X certainly stepped up on the ax, and it was great to see original members Tico Torres slamming those drums like a lumberjack , bassist Hugh McDonald and keyboardist and righteous blond perm enthusiast David Bryan. He seemed to be the band, particularly without Richie Sambora by his side to bounce off Sambora quit the tour in March. In that moment, you will truly know yourself as the commercial radio friendly soft metal junkie you undoubtedly are. Always was the perfect finisher. Phil X also kept the crowd pumping with a pitch perfect Highway to Hell, which allowed JBJ to do his best Angus Young-style guitar hopping across the stage. With its grills doubling as video screens and its round headlights beaming out, it was a feat of engineering and technical brilliance. Bon Noel from Bon Jovi, Brisbane. Seriously, singers often chip their teeth on microphones, and those suckers were like ivory piano keys.
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